One of the only advantages of video aperitifs (for the rest, it’s much less fun than in real life, we’re not going to lie to each other) is that we see people at home. That Saturday night, in the skylight of our phone, Julie Gayet appears without make-up or primer, with large very seventies eyeglasses that give her a vague air of Faye Dunaway. She is sitting in the kitchen of the house where she lives, in the 20e arrondissement of Paris, with his companion, the former President of the Republic François Hollande.
“I’m exhausted, I’m just getting off the shoot”, she blurted out, slightly slumped, opening a bottle of beer. On the label is written “La Débauche”, a microbrewery in Angoulême. The peach-flavored beverage was brought back to him by a friend. Beer, she got into it during her pregnancies (she has two sons, Tadeo and Ezéchiel, now aged 20 and 21, whom she had with her then-husband, the Argentine writer Santiago Amigorena. ): “I was told at the time that it was very good for lactation. “ Since then, she has kept the habit and regrets the aperitif at the end of the day of filming – now banned because of Covid-19 – where everyone, from the technician to the director and the actors, gathered around a cooler to share and forget, for a drink or two, the hierarchy that governs the work on the set.
All genres, all roles
If Julie Gayet is tired, it is because she has, she insists, “Immense luck” to keep spinning as the pandemic has taken down much of the cultural world. Since the start of the school year, she has not stopped, allowing herself all genres, all roles, from auteur cinema to mainstream farce through television series. In the fall she starred in What is this grandpa? !, a comedy with Chantal Ladesou, then in a series for TF1, A perfect mother performed by Fred Garson, where she is partnered with Tomer Sisley and rapper Hatik. In the meantime, she has promoted the children’s film Poly, by Nicolas Vanier, who was only one week on the bill before the theaters closed, but drew 600,000 spectators and should be rescheduled for the holidays.
Obviously, nothing is simple. The play rehearsed at the Antoine Theater with Judith Henry – the adaptation of certain interviews “I would not have arrived there if …” by our colleague from World Annick Cojean – has been postponed. Filming stops and resumes in line with the positive cases detected, disrupting schedules and spreading anxiety and concerns despite drastic health constraints. Even if she is a privileged figure, Julie Gayet still has to grapple with the closure of cultural places for such a long time: “This government should have assumed the French cultural exception. We hear about war, but even under the bombs in Sarajevo or Lebanon, people could go to the theater or attend a concert. By wearing masks and respecting the distance, it was possible to continue. ”
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