Entertainment

The Fall Guy Box Office Disappointment Hurts More Than Opening Weekend

With “The Fall Guy” (Universal), the summer 2024 box office has not started; it just happened. It opened to $28.5 million, a 52% drop from last year with “Guardians of the Galaxy Vol. 3. » Let’s hope this is the last precipitous drop of the weekend (aside from July’s inevitable $310 million “Barbie”/”Oppenheimer” weekend).

That $76 million domestic weekend is bad, but “The Fall Guy”‘s shortfall is even worse. Estimates were wide, but worst-case scenarios called for $30 million. Ryan Gosling’s action romantic comedy had all the makings of a crowd-pleaser. Whatever its possible limitations – and a $130 million budget – it’s a terrible picture to start the summer with.

'FURIOSA: A MAD MAX SAGA', (aka FURIOSA), Anya Taylor-Joy, 2024. © Warner Bros.  /Courtesy Everett Collection

Despite good reviews, Gosling’s momentum, director David Leitch’s proven box office success, a generally lucrative release date and a decent A- Cinemascore, “The Fall Guy” opened to only a little over 3 million dollars above “Civil War” (A24), The best opening game of April.

“Kingdom of the Planet of the Apes”screenshot

An underperforming release does not guarantee similar results in the future, but it is a major cause for concern. This discourages future non-franchise projects, certainly at this level of spending. This does not correct the sharp decline since the start of the year, which now stands at 18 percent. It also raises the high-performance requirements for other major May openings: “Kingdom of the Planet of the Apes” next week, later “Furiosa,” and “The Garfield Move,” and another original, “IF “.

Each of them should open better than “The Fall Guy,” some by far, but nothing is a given. We could experience an even more difficult summer than expected.

Aside from a strong showing for the 25th anniversary re-release of “The Phantom Menace” (Disney), which took second place with $8.1 million, nothing else impressed in the Top 10. “Challengers” (MGM Amazon) fell 49 percent from a top debut at $15 million. Weekdays did better than expected compared to when it opened.

“Tarot” (Sony), the other new wide release, coughed up $6.5 million. Unfortunately, it was good enough for number 4. The original horror film also received a horrible C-Cinemascore; at least it only cost $8 million.

“The Fall Guy” had a decent A- Cinemascore, but historically that doesn’t suggest an above-par trajectory. At best, he projects $100 million nationally. Worldwide (most territories are now open, some on the second weekend), a total of $37 million has been added. Given a total spend of over $200 million (including marketing), it will be difficult to turn a profit. It’s a big disappointment.

Speaking of Cinemascores, last week’s faith-based film “Unsung Hero” (Lionsgate) earned a high-end A+…and in its second weekend, it dropped 61 percent. At $3 million, it fell to seventh.

“Godzilla x Kong: The New Empire” (Warner Bros.) and “Civil War” have had decent successes, but at this point their versions will only add minor amounts to the total gross.

Fred Durst in
Fred Durst in “I Saw the TV Shine”A24

Three new platform openings have generated positive initial reactions. A24’s “I Saw the TV Glow” grossed an impressive $116,000 from four New York/Los Angeles theaters, with a slow expansion to come. Ethan Hawke’s Flannery O’Connor biopic “WIldcat,” buoyed by strong personal appearances, grossed $58,000 in three similar locations.

Japanese director Ryusuke Hamaguchi’s “Evil Does Not Exist” (Sideshow/Janus), his first film since “Drive My Car,” grossed $45,000 in three theaters. This sleeper hit debuted in 2021 in two theaters under $14,000 and went on to an unexpected $2.4 million.

The Top 10

1. The Fall Guy (Universal) NEW – Cinemascore: A-; Metacritic: 73; EST. budget: $130 million

$28,500,000 in 4,002 theaters; PTA (average per theater): $7,121; Cumulative: $28,500,000

2. The Phantom Menace (Disney) RE-RELEASE

$8,100,000 in 2,700 theaters; PTA: $2,993; Cumulative: $834,200,000 (adjusted)

3. Challengers (Amazon MGM) Week 2; Last weekend #1

$7,642,000 (-49%) in 3,477 theaters (no change); PTA: $2,198; Cumulative: $29,462,000

4. Tarot cards (Sony) NEW – Cinemascore: C-; Metacritic: 35; EST. budget: $8 million

$6,500,000 in 3,104 theaters; PTA: $2,094; Cumulative: $6,500,000

5. Godzilla x Kong: The New Empire (Warner Bros.) Week 6; Last weekend #3

$4,500,000 (-38%) in 2,884 (-428) theaters; PTA: $1,560; Cumulative: $188,067,000

6. Civil War (A24) Week 4; Last weekend #4

$3,550,000 (-48%) in 2,873 (-645) theaters; PTA: $1,320; Cumulative: $62,006,000

7. Unsung Hero (Lionsgate) Week 2; Last weekend #2

$3,000,000 (-61%) in 2,832 theaters (no change); PTA: $1,059; Cumulative: $13,143,000

8. Kung Fu Panda 4 (Universal) Week 9; Last Weekend #7; also on PVOD

$2,400,000 (-33%) in 2,380 (-387) theaters; PTA: $1,008; Cumulative: $188,340,000

9. Abigail (Universal) Week 3; Last weekend #5

$2,300,000 (-56%) in 2,638 (-755) theaters; PTA: $872; Cumulative: $22,790,000

10. Ghostbusters: Frozen Empire (Sony) Week 7; Last weekend #8

$1,800,000 (-45%) in 2,025 (-602) theaters; PTA: $889; Cumulative: $109,903,000

Other specialty/independent titles

Movies (limited, limited expansions) are listed by week of release, starting with those released that week; after the first three weeks, only films grossing more than $5,000 are listed. Metacritic scores and first recorded film festivals.

I saw the TV glow (A24) NEW – Metacritic: 85; Festivals include: Sundance, Berlin, South by Southwest 2024

$116,340 in theaters; PTA: $39,085

Wild cat (Oscilloscope) NEW – Metacritic: 51; Festivals include: Telluride, Toronto 2023

$58,140 at 3 theaters; PTA: $19,380

Evil does not exist (Sideshow/Janus) NEW – Metacritic: 83; Festivals include: Venice, Toronto, New York 2023

$45,300 in 3 rooms; PTA: $15,100

A boy kills the world (Roadside Attractions) Week 2

$247,155 in 1,515 (-478) theaters; PTA: $180; Cumulative: $2,543,000

Nowhere special (Cohen) Week 2

$31,518 in theaters; PTA: $1,017; Cumulative: $48,330

Human (IFC) Week 2; also on VOD

$3,544 in 31 (-25) theaters; PTA: $114; Cumulative: $40,014

Spy x Family Code: White (Sony) Week 3

$245,000 in 407 (-1,602) theaters; Cumulative: $7,805,000

Stress positions (Neon) Week 3 15

$15,700 in 17 (+2) rooms; Cumulative: $89,033

We’re grown up now (Sony Pictures Classics) Week 3

$17,372 in 70 (-270) theaters; Cumulative: $254,570

The long game (Emick/Mucho Mas) Week 4; also on PVOD

$75,000 in 146 (-195) theaters; Cumulative: $2,941,000

Bad little letters (Sony Pictures Classics) Week 6

$150,000 in 188 (-62) theaters; Cumulative: $4,286,000

The Chimera (Neon) Week 6

$43,103 in 53 (-2) theaters; Cumulative: $711,894

Late night with the devil (IFC) Week 7; also in PVOD and streaming

$22,010 in 66 (-209) theaters; Cumulative: $9,924,000

Gn entert
News Source : www.indiewire.com

Eleon

With a penchant for words, Eleon Smith began writing at an early age. As editor-in-chief of his high school newspaper, he honed his skills telling impactful stories. Smith went on to study journalism at Columbia University, where he graduated top of his class. After interning at the New York Times, Smith landed a role as a news writer. Over the past decade, he has covered major events like presidential elections and natural disasters. His ability to craft compelling narratives that capture the human experience has earned him acclaim. Though writing is his passion, Eleon also enjoys hiking, cooking and reading historical fiction in his free time. With an eye for detail and knack for storytelling, he continues making his mark at the forefront of journalism.
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