Mr. Shakur had auditioned for Shock G and had been hired to be part of the group’s road crew. He eventually performed and recorded with Digital Underground, appearing on the band “This Is an EP Release” (Tommy Boy), and “Sons of the P” (Tommy Boy), which was nominated for a Grammy Award.
In 1991, Mr. Shakur began a solo recording career with the album “2Pacalypse Now” (Interscope), which sold half a million copies. It included two modest hits, “Trapped” and “Brenda’s Got a Baby,” a song about the plight of a single teenage mother. Prior to the album’s release, he also began a career as a film actor, playing the violent and unpredictable Bishop in the Ernest Dickerson film “Juice”.
In 1993, Mr. Shakur was a rising star. Shock G and fellow Digital Underground member Money B appeared on Mr. Shakur’s album, helping to create his first big hit, “I Get Around,” a poolside anthem featuring scantily clad women. and a relaxed pace. But now it was Shock G, sporting an oversized afro and purple t-shirt, with the message, “Now you can tell from my daily cuts I’m not rich / So stop and stop with this stuff / I’m just another Black man caught in the mix / tryna wins a dollar with 15 cents. “
Shock G’s musical instincts were forged from a childhood spent traveling across the country. Her mother worked as a television producer and her father worked as an executive in IT management. After the couple’s divorce, “I spent most of my time in Tampa, but I also lived in New York City, Philadelphia and California,” Shock G told The Times. “I’ve always been in music and played in bands from the age of 10 or 11.”
Her grandmother, Gloria Ali, was a pianist and cabaret singer in Harlem in the 1950s. She taught her to play “Round Midnight” on the piano. Then, as hip-hop was starting to gain traction in New York City in the late 1970s, Shock G, who was living there at the time, recalled, “All my friends and I sold our instruments for. buy mixers and turntables. ”
Complete information on the survivors was not immediately available.
Shock G saw music as expansive, inclusive and experimental. “Funk can be rock, funk can be jazz, and funk can be soul,” he told The Times. “Most people have a checklist of what makes a good pop song: it has to be three minutes long, it has to have a repeatable chorus, and it has to have a catchy hook. This is what makes music outdated. We say “Do what makes you feel good”. If you love it for three minutes, you will love it for 30. “
Christina morales contribution to reports.