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Golden Globes production veteran explains how to put on a show during a pandemic

Due to the coronavirus pandemic, the 78th Golden Globes will be unlike any other in its history. Hosts Tina Fey and Amy Poehler and presenters will chair the festivities from two on-site venues in New York and Los Angeles and the nominees will attend remotely.

It meant three times the coordination for Trueblood, a seasoned talented executive who, when asked to describe her job, half-joked, “If I meet you, that means something’s gone terribly wrong.” past, and I’m here to fix it. . ”

Part of making the Globes amid a year of abundant uncertainty required a lot of planning, said Trueblood, who worked on the show for about 20 years.

In a normal year, preparations would begin in early fall – perhaps August or September – and intensify after appointments. This year, conversations about the show’s direction began around May, with plans having evolved several times and continuing to do so. In fact, she said, until about a week ago, they were still discussing the possibility of fully virtual presenters to announce the nominees, with Fey and Poehler announcing the winners, who are not known before. the show.

“But that didn’t seem fair,” said Trueblood, who has also worked for the Emmys and the Oscars, in a phone interview last week.

Fortunately, the A-list talent was easier to reserve than, at one point, they feared. Comfort levels for everyone involved, naturally, remain on a spectrum, Trueblood said.

“I’ll say it, even for myself, today our first day in the production office, and I had such anxiety because I didn’t come out of my house,” she said. . “So I understand that, and there are definitely people out there who are like ‘I’m not leaving the house’.”

Like other shows she worked on during the pandemic, Trueblood said protocols remain strict and talents are often put at ease when given details of the steps being taken to keep everything safe. the world.

“I had to create flowcharts for them showing exactly what the route would be and who they would have to contact from our crew so that they could get on our stage and, you know, provide options,” he said. she declared. . “For example, ‘Can you make us a microphone or do we have to provide a stand microphone?'”

The precautions also go beyond practice on the set. Covid testing for Golden Globes talent was scheduled to take place the Friday before the show, and Trueblood was ready to make adjustments if necessary. If a celebrity or a member of their team – whether a makeup artist or a choreographer – scores positively, that talent is not allowed to participate due to its visibility.

Golden Globes production veteran explains how to put on a show during a pandemic

“On every other show I’ve done this year, we’ve had a drop rate of around 30% due to people testing positive,” Trueblood said. “So this is no joke. There is no, ‘Well, let’s just go [put] them here. You know what I mean? It doesn’t matter how big the challenge is if we can’t do it, but no one is willing to risk it. The stakes are just too high. ”

And they’re not the only ones taking this seriously, she said. In fact, some talent was unable to make it to Sunday’s show due to protocols or bubbles in place on other projects they are currently working on.

“We were able to work with some people, but yeah, there were people who were just like, ‘Look, we tried, but the production asked that they don’t participate because of their own rules'”, a- she declared. “So, I mean, it’s always disappointing … but then you move on and find another great person who is available and who can make it work.”

The art of making it work has always been a skill at Trueblood, but this year has been a lesson in staying agile.

“I will say that the nature of live shows requires fluidity to begin with. That’s how they are,” she said. “But I think in a lot of ways, for as much work as there has been, this has almost been one of my favorite years because there has been that kind of grace that everyone has. exhibited. ”

Despite all the abnormal circumstances surrounding Sunday’s event, Trueblood said his ultimate hope is for it to be remembered as a taste of normalcy.

“I almost hope this will go down in history – of the show – like nothing. That it’s like every other year – it was fun, the hosts did a great job, the winners were eloquent and stylish.” she said. “I hope we are meeting viewers’ expectations.”


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