Entertainment

Breasts take center stage at Venice Biennale exhibition



CNN

What is one of the oldest and most enduring topics in art and media – as well as one of the most censored? Breasts. First carved into small figurines of “Venus” around 25,000 years ago as fertility totems, they are now seen (or hidden) as a powerful symbol of desire, motherhood, feminism, sexism, ideals of beauty, challenge, controversy or illness, depending. on the context.

And these are all themes explored extensively in the “Breasts” exhibition, a solid investigation exhibited at the 60th Venice Biennale. Hosted at Palazzo Franchetti, the exhibition includes artworks from well-known names such as Cindy Sherman, Robert Mapplethorpe and Salvador Dalí, as well as early career artists including Anna Weyant, Chloe Wise and Lakin Ogunbanwo. Divided into five rooms in keeping with the building’s art deco designs, the works of art are meant to dialogue with each other – and with the exhibition’s visitors – according to the exhibition’s curator, Carolina Pasti.

“It’s very intimate, so it’s perfect for international artists to develop a dialogue with each other,” she said during a video call.

One of the first juxtapositions visitors encounter is that between the first work in the exhibition, an early 16th-century Madonna and Child by Bernardino del Signoraccio, and a self-portrait by Sherman that depicts the artist draped in breasts prosthetics and a pregnant belly. Both images of motherhood feature exaggerated anatomy – the baby Jesus in Del Signoraccio’s panel painting exposing his mother’s rigid chest, while Sherman displays a hyperrealistic silicone torso in his riff on Raphael’s painting “The Fornarina” – and sets the stage by showing how Renaissance artists have continued to influence our attitudes towards breasts today.

Courtesy of Flavio Gianassi/FG Fine Arts LTD

Bernardino del Signoraccio, “Madonna of the Umiltà,” California. 1460-1540

Cindy Sherman

Cindy Sherman, “Untitled 205”, 1989

From there, the exhibition extends through painting, sculpture and design, photography, commercial advertising and video art, exploring how breasts have been seen and represented through male gazes and feminine.

“It goes back to cave paintings: we’ve always been fascinated by the human form, and particularly the female form, which has an incredible charm and mystery,” said artist Teniqua Crawford, who is exhibiting a delicate rendering of the breast . landscape. “Artists keep coming back to it. »

“It’s been a wonderful time to contemplate my own relationship with the meaning of breasts,” she added of the series.

“Breasts” was staged, in part, to promote breast cancer awareness and marks a partnership with the nonprofit medical research Fondazione IEO-MONZINO, which will receive a portion of sales from its catalog. It’s a theme evident throughout the show, with bright pink staging and sets inspired by the color of the cause. This includes a passageway designed by Buchanan Studio, “Booby Trap,” which is draped in pink fabric and features 35 anatomical lights from above.

And the opening night treats? All according to the theme, of course, with chocolate candies and burrata in suggestive shapes.

Scroll through to see the works in the exhibition, which runs until November 24 at Palazzo Franchetti.

Todd White

Teniqua Crawford, “Fragment Horizon”, 2024

Courtesy of Whatiftheworld

Lakin Ogunbanwo “Untitled (2 girls)”, 2013

Private courtesy collection, Europe

Anna Weyant, “Chest”, 2020

Courtesy of the artist/Galleria d’Arte Maggiore

Allen Jones, “Cover story”, 2015

Courtesy of the artist/Galleria d’Arte Maggiore

Allen Jones, “Cover story”, 2015

Courtesy of the artist

Laura Panno, “Alfabeto del corpo (Ceramica Blu)” 1990

Christopher Bucklow

Christopher Bucklow “Tetrarch (Claudia-Schiffer)”, 2010

Private courtesy collection, Turin

Giorgio de Chirico “Nudo di donna”, 1930

Private courtesy collection, Italy

Louise Bourgeois “The Reluctant Child”, 2005

Courtesy of Catherine Clark Gallery

Masami Teraoka, “Hollywood Hills Breast Installation Project,” 1970

Gn entert
News Source : amp.cnn.com

Eleon

With a penchant for words, Eleon Smith began writing at an early age. As editor-in-chief of his high school newspaper, he honed his skills telling impactful stories. Smith went on to study journalism at Columbia University, where he graduated top of his class. After interning at the New York Times, Smith landed a role as a news writer. Over the past decade, he has covered major events like presidential elections and natural disasters. His ability to craft compelling narratives that capture the human experience has earned him acclaim. Though writing is his passion, Eleon also enjoys hiking, cooking and reading historical fiction in his free time. With an eye for detail and knack for storytelling, he continues making his mark at the forefront of journalism.
Back to top button